Wicked Art Wednesdays – Jeff Granito

We’re kicking off Wicked Art Wednesdays this Halloween 2020 season with one of my favorites, Artist and Designer, Jeff Granito!

After graduating with a BFA in Graphic Design from Art Center College of Design in Pasadena, Jeff Granito was tapped by Disney to work on new art and merchandising, which you may have seen adorn the shelves of Disneyland’s Main Street shops if you’ve visited the park sometime in the past 20 years.

catsblackmagic ©jeffgranito

Now working as a freelance artist, this uber talented Tiki enthusiast has had the opportunity to produce amazing works of art and graphics for big time movie studios, including Walt Disney, Warner Bros., Fox, Nickelodeon, and dozens of other name brand companies. There’s so much more to say but I’m just gonna let his magnificent art doing the talking.

Artist: Jeff Granito
Company/Studio: Jeff Granito Designs
Where to Purchase Goods: https://www.jeffgranitodesigns.com/shop

https://www.spoonflower.com/profiles/jeffgranitodesigns

Aloha Spirts Night ©JeffGranito

Website:  https://www.jeffgranitodesigns.com/
Social Media: Instagram @jeffgranitodesigns

Haunted Float Face Mask by Jeff Granito

Tuesday Terror – The Black Cat

The Black Cat (1932)
“Did you ever hear of Satanism, the worship of the devil, of evil?”

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Today’s black and white classic is the horror-thriller The Black Cat from Universal Pictures. Horror icons Bela Lugosi and Boris Karloff square off for the first time in a movie about a traumatized doctor with a cat phobia named Werdegast and an American newlywed couple, who seek medical aid at the home of the doctor’s nemesis, Hjalmar Poelzig, the dark high priest of a devil-worshipping cult. The doctor’s original plans of revenge on Poelzig are changed when it is revealed the priest plans to sacrifice the young bride at the dark of the moon.

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Produced by Carl Laemmle, Jr., the young studio head believed in director Edgar G. Ulmer’s vision enough so the man had free rein over the pic. Although presumed to be loosely based on the story by Edgar Allan Poe, there are not too many similarities here. It’s a bit strange really because the movie is good enough to stand on its own merits. This perhaps one of my favorite classic films. The story is excellent, with strong performances from the entire cast. David Manners and Julie Bishop pile on the melodrama with their romance, which is now part of the charm in some of these old films, but let’s be honest, they weren’t who we’re here to see anyway.  Lugosi playing the tortured Werdegast against Karloff’s evil Poelzig in a battle for screen supremacy is one of the best horror face-offs ever found in horror. I’d say Lugosi is the clear winner, due to a more fully fleshed-out character and more dialogue to offer, but Karloff does manage to say quite a lot with just a creepy stare. Madness and secret motivations are the whole reason why this film is so scary. Clearly, something evil has hold of these men.

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The film escaped the Pre-code guidelines but Ulmer’s first cut of the film, which included several scenes of satanic worship and skinning alive of Herr Poelzig, was deemed too dark and violent for the Laemmles (father and son). Between that and Bela Lugosi’s complaints that he appeared to be too villainous, Ulmer reshot several scenes,  downplaying the gruesome last scene, and added some sprinkling of humanity in the tragic Dr. Werdegast. In a touch of irony, while cleaning up the film’s ending, Ulmer snuck in some extra shots of Poelzig’s necrophilic menagerie. Already heavy with a dark look and satanic theme, studio execs managed to miss The Black’s Cat’s seriously taboo subject matter, or perhaps they ignored it.

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The eerie movie score runs 80 minutes contains many classical selections, including the Toccata and Fugue in D Minor, only the second time a horror film featured the now cliched song.  The set of Poelzig’s mansion is considered somewhat of a masterpiece in the industry, part art deco, part haunted house. In contrast to The Old Dark House, this film is well-lit, casting defined shadows in a way that you’re unsure if you’re watching a horror film at all.

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The Black Cat is considered to be the first movie to use psychological horror, capitalizing on public interest in psychiatry at that time. Despite the audience’s distaste for the dark subject matter, it was the biggest box office hit for Universal that year, due in part to the popularity of its stars.  What didn’t work then is exactly why it works now. The Black Cat is creepy, scary, and a masterclass in great classic horror.

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Happy Caturday

The Halloween season is basically here, depending on who ask, and I love it!

CatHalloweenCupcakeHat CarolCavalaris
Cat in Halloween Cupcake Hat ©Carol Cavalaris

Artist: Carol Cavalaris

For more of Carol’s spooktacular art and much more, please visit her website: https://carol-cavalaris.pixels.com/

Friday Fright Nightcaps – Black Magic Martini

Happy Friday! The good folks over at Spice Roots have blessed us with a wickedly delicious cocktail they call the Black Magic Martini, a perfect drink to toast the badass witches of Greendale, as The Chilling Adventures of Sabrina returns for Season 2.

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Photo ©Spice Roots

Ingredients

  • 2 oz Black Vodka
  • 2 oz Cranberry Juice reduced start with 4 oz and reduce by half
  • 1 oz orange juice
  • 1 drop Black color ( if needed)
  • Sugared Cranberries (optional)

To view the full recipe, please visit here: https://www.spiceroots.com/black-magic-martini/

 

 

Drink up, witches!