Tuesday Terror – Curse of Frankenstein

Curse of Frankenstein (1957)
I’ve harmed nobody, just robbed a few graves!

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Curse of Frankstein ©Hammer Film Productions

Hammer Film’s first incursion into the Frankenstein mythos, Curse of Frankenstein, spawned several sequels, all of them starring soon-to-be horror icon Peter Cushing as Victor Frankenstein.  Directed by Terence Fisher, in what would be the first of many films that Fisher would make for Hammer Films, the film also starred a young Christopher Lee, playing the Monster, before he would go on to don Dracula’s cape for the next three decades.

Universal Films fought vehemently to protect their own Frankenstein film and its rights, which reflected heavily on many decisions Hammer made during filming. Make-up artist Phil Leaky created a brand-new look for the monster, and several key scenes from the novel were cut due to a limited budget. Despite its limitations, Curse of Frankenstein impressed many with its art direction, costuming, camera work, and the stellar cast, which also included English actor Hazel Court, (just starting out in her lengthy career as a horror queen), and Scottish stage and TV actor Robert Urquhart.

 

This story revolves around Frankenstein himself, rather than his creature, choosing to show the Baron as a more ambitious, egotistical and ruthless man; at the start of the story, he awaits execution for several murders. Hammer’s version of Dr. Frankenstein is a villainous man, willing to commit crimes, set up a man’s accidental death, aka murder, to obtain the parts he needs to create his creature, and even use the poor creature to kill opponents standing in the way of greatness. Since, the brain was damaged, it becomes apparent quickly that the monster has little intelligence and is too far too violent to control, thus, Frankenstein is forced to destroy his greatest creation. With the evidence gone, fate comes down to his younger associate Dr. Paul Krempe, the only witness to the experiments.

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©Hammer Film Productions

Colin Clive may have had the most memorable line in horror history, but it was Peter Cushing who was highly praised for the truly unforgettable performance of Victor Frankenstein, for fleshing out the character that audiences deemed charming and intriguing, in spite of his villainy. It was Cushing that helped inspire the mad scientist archetype and motivated Hammer to continue his story all the way into the 70s.

Curse of Frankenstein was Hammer’s first color film and considered by many to be the first truly gory film. The deep red blood and guts appeared gorier on screen than any other horror film of its time, causing a bit of uproar and scathing reviews. It even received an X rating for a time, when it opened at the London Pavilion in 1957. Despite receiving the lukewarm reviews from critics, audiences seemed to really like the film, grossing nearly $8 million, thus, putting Hammer Films squarely on the map.

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Curse of Frankstein ©Hammer Film Productions

 

Saturday Horror Matinees

 

The full moon has risen and transformed the Wolfman.
Frankenstein’s monster is alive and looking for a Woman.
Dracula’s magnetic gaze will leave you entranced.
The Mummy has risen and wants his soulmate to dance.
The Invisible Man has lost his left shoe.
It was found by the Creature from the Black Lagoon.
King Kong terrorizes the Empire State Tower.
Godzilla rampages Tokyo with his atomic powers.
The Blob crashed landed from outer space.
The Living Dead will eat your face.
I grew up at the theater, watching double features.
That’s why I love all monsters, madmen, and creatures.

 

Universal Monsters Photo©Universal Studios