Tuesday Terror – The Pit and the Pendulum

The Pit and the Pendulum (1961)
No one shall ever enter this room again.

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© Metro-Goldwyn-Mayer Studios Inc.

Pit and the Pendulum was a film of many seconds for director Roger Corman. It was the second film adapted from an Edgar Allan Poe story, written by author and screenwriter Richard Matheson, who penned such successful novels such as I am Legend and the Incredible Shrinking Man. It was second big hit for distributor American International Pictures, grossing over $2 million USD from a measly $300,000 budget. It was also the second time that Corman would work with Vincent Price and Barbara Steele, each of whom would go on to become horror icons based on their work in numerous horror films.

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© Metro-Goldwyn-Mayer Studios Inc.

 

Loosely based on Edgar Allan Poe of the same name, the story revolves around a tenacious Englishman Francis Barnard who goes to foreboding castle in Spain, after hearing word that his sister Elizabeth has died. He confronts his brother-in-law Don Nicholas Medina, demanding to know how she died. While there, Barnard finds the grieving don is slowly losing his mind, convinced that his late wife is haunting the castle, a site once used in the Spanish Inquisition. The don’s sister and personal physician try to sooth Barnard’s suspicions that Nicholas had anything to do with the sister’s death by revealing the tragic childhood trauma (shown in color-tinted vignette style flashbacks) that inflicts the don, but as the dark night drags by, it becomes apparent that a more sinister plot is afoot.

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© Metro-Goldwyn-Mayer Studios Inc.

Richard Matheson creates magic here by fleshing out the Poe’s torture chamber story bringing in the doomed Don Nicholas Medina, who already believes he’s cursed with same madness that drove his father to inflict unspeakable horror on the Spanish population, as well as his own family. In some ways, Matheson’s story is better than Poe’s gothic tale, giving audiences a backstory into understanding the horror the Poe wrote about.

 

The Merchant of Menace, Vincent Price, is at his best here, playing both a grieving man losing his sanity and his sinister father in flashbacks. His acting is somewhat melodramatic but entirely encouraged by dark dreamy orchestral score by Les Baxter. The always beautiful and haunting bright eyes of Barbara Steele turn in another wicked performance, cementing her legacy as a horror vixen, and John Kerr, Luana Anders and Antony Carbone also give strong memorable performances.

 

 

Despite the low-budget, Corman’s gothic adaption looked like million dollar film, with its vibrant color, gorgeous costuming,  intricate set design, and carefully planned wide-angle shots by  Floyd Crosby, the lusciously filmed Pit and the Pendulum only took 15 days to film. Shot entirely on a sound stages in California, Corman’s meticulous pre-production with his team, in particular, set designer, Daniel Haller, who created a real pendulum for the movie’s nightmarish ending sequence. The imposing pendulum was 18-feet long, weighed over 2,000 lbs and hoisted thirty-five feet in the air at the top of the sound stage above the actors. The blade was made of rubber, but a real metal blade covered in steel paint was switched out for the close shots, giving John Kerr some serious anxiety, which shows in his perspiring face during the final scenes.

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© Metro-Goldwyn-Mayer Studios Inc.

This is my favorite Roger Corman and Vincent Price collaboration. It’s the scariest and best overall production, an absolute epitome of gothic horror, inspiring dozens of other filmmakers, from Hollywood to the Italian gallo films of the 60s. Horror at that time was changing in a way that the scares were no longer implied.  Horror master Stephen King remembers the Pit and the Pendulum scene which Price’s don Medina finds the decayed corpse of his dead wife, as having changed the horror landscape, King says “the most important moment in the post-1960 horror film, signaling a return to an all-out effort to terrify the audience…and a willingness to sue any means at hand to do it.”

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© Metro-Goldwyn-Mayer Studios Inc.

Scariest Movies for Halloween Night

This isn’t just another ‘best of scary movie’ list, this is ‘the best of scariest movies to specifically watch on Halloween night’ list.  You can watch those other films any day of the year.  There’s something really special about watching a spooky movie on Halloween night though. These movies are not recommended for children, but, I’ll leave the parenting up to you.

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The Devil’s Backbone (2001)

Not only is Director Guillermo Del Toro’s Spanish language film visually stunning, it’s hands down one of the scariest and most masterfully written ghost stories ever produced. Besides that, creepy ghost children are just never not going to be scary.

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Get Out (2017)

Writer and Director Jordan Peele delivers a terrifying psychological thriller, which relies on the audiences’ own inner fears to fuel the suspense on what the true scare here is all about, Is it a ghost story? Is it a killer story? Is it all someone’s imagination?

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Trick ‘r Treat (2007)

Director Michael Dougherty weaves together four separate terrifying Halloween night horror stories, each connected by a mysterious little creature, who reminds us Halloween can be deadly if you mess around and break the rules of Halloween. I consider this film quintessential Halloween viewing.

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Ju-on: The Grudge (2002)

Dead kid. Check. Dead cat. Check. Dead ghost. Check. Writer and Director Takashi Shimizu doubled down on scares by telling this frightening story out of order, which added confusion for some. Make no mistake, scary is scary, whether you understand it or not. However, if subtitles or non-linear storytelling aren’t your thing, you can always rent The Grudge, the American remake, starring Sarah Michelle Gellar, and the very same dead kid, dead cat and dead ghost. I affectionately refer to this film as the Neverending Ghost Story

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